Usher – Yeah
Yeah, ok, lil’ Jon
Yeah, yeah yeah, yeah yeah, yeah
Keep it down on the low key, ‘cause you know how it feels
I said shawty she was checkin’ up on me
From the game she was spittin’ my ear you’d think that she knew me
So we decided to chill
She had me feelin’ like she’s ready to blow (watch out oh, watch out)
She saying «come get me, come get me»
So I got up and followed her to the floor
She said «baby, let’s go», when I told her I said
Yeah (yeah) I got so caught up I forgot she told me
Yeah (yeah) her and my girl would be the best of homies
Yeah (yeah) next thing I knew she was all up on me screaming
Yeah, yeah yeah, yeah yeah, yeah
Got me thinking that it might good idea to take her with me
‘Cause she’s ready to leave
Now I gotta keep it real now
‘Cause on a one-to-ten she’s a certified twenty, and that just ain’t me
But what I do know is the way she dance makes shawty alright with me
The way she getting low
I’m like yeah, just work that out for me
She asked for one more dance and I’m
Like yeah, how the hell am I supposed to leave? And I said
Yeah (yeah) I got so caught up I forgot she told me
Yeah (yeah) her and my girl would be the best of homies
Yeah (yeah) next thing I knew she was all up on me screaming
Yeah, yeah yeah, yeah yeah, yeah
In the club lookin’ so conspicuous
And rowl! these women all on the prowl
If you hold the head steady I’m a milk the cow
Forget about the game I’m a spit the truth,
I won’t stop till I get em in they birthday suits
So gimmie the rhythm and it’ll be off with they clothes
Then bend over to the front and touch your toes
I left the jag and I took the Rolls
If they ain’t cutting then I put em on foot patrol
How you like me now
When my pinky’s valued over three hundred thousand
Lets drank you the one to please
Ludacris fill cups like double D’s
Me and Ush once more and we leave em dead
We want a lady in the street but a freak in the bed to say
Yeah (yeah) I got so caught up I forgot she told me
Yeah (yeah) her and my girl would be the best of homies
Yeah (yeah) next thing I knew she was all up on me screaming
Yeah, yeah yeah, yeah yeah, yeah
Lil’ Jon got the beat to make ya booty go
Take that and rewind it back
Usher got the voice make ya booty go
Ludacris got the flow make ya booty go
Take that and rewind it back
Lil’ Jon got the beat make ya booty go
La primera máquina de karaoke la introdujo el cantante Daisuke Inoue, pero el éxito fue un poco por casualidad, ya que la gente asistente a sus conciertos insistía en poder cantar junto a él, gracias al experimento interactivo tan novedoso. Cuando el cantante vió el gran potencial del invento, lo patentó en un primer modelo consistente en una máquina a la que había que echar una moneda para que funcionase
En América y Europa se hicieron bastante conocidos este tipo de actividades, sobre todo en los bares, cuyo público era mayormente joven. Principalmente, el corazón del canto al vacío son las máquinas de karaoke, las que constan de una pantalla, mecanismo de supresión de voz, lector de DVD’s, además del sistema de sonido. Al principio, las máquinas tenían un lector de cintas, pero luego se cambió a las clásicas cintas de DVD’s. Se han llegado a abrir lugares especiales en los que sólo se puede hacer karaoke, además de comer y beber. Sin embargo, hay otros lugares que no están dedicados completamente a prestar el servicio del karaoke, pero establecen algunos días de la semana para ofrecerlo. Hoy en día, las máquinas son mucho más modernas, con pantallas de alta definición y de gran tamaño, al igual que un sonido potente. De igual forma, existen concursos a nivel mundial de esto e, incluso, han llegado a ser televisados.